By Darren Chang - PPEH Lab, March 18, 2017
Inuk filmmaker Alethea Arnaquq-Baril’s 2016 documentary, Angry Inuk, is a story about the erasure and domination of Indigenous peoples by colonial powers. The film impassionedly defends the seal hunt industry by revealing how Western environmental and animal advocacy NGOs (e.g., Greenpeace, International Fund for Animal Welfare, Humane Society International), have devastated the livelihoods of Inuit communities that rely on the industry for subsistence. The NGOs have destroyed the Inuit seal trade economy by successfully campaigning the European Union to ban products made from seals, despite allowing an exception for the trading of Inuit seal products. This reflection examines how the strategies carried out by Western NGOs to achieve their “victory” are rooted in colonial-capitalism, white supremacy and Eurocentrism, and therefore reinforces colonial domination. Below, I focus on a few strategies employed by the NGOs, as highlighted in the film.
One strategy is that the NGOs deliberately mislead the public with select imagery of seals. For example, one segment shows how the NGOs continue to use images of white-coated seal pups in their campaign advertising, even though the slaughter of white-coated seal pups has been banned in Canada for over thirty years. Another segment shows how images of seals “crying” have been heavily used in advertising by the NGOs to pull on the public’s heartstrings for effective fundraising. However, tearing has no known relation to cognitive or emotional response in seals, and serves only to protect their corneas from salt. Arnaquq-Baril also plays a 1978 interview in which Paul Watson admits that targeting the seal hunt and exploiting images of harp seals have always been the easiest way for NGOs such as Greenpeace to raise funds. At the time of the interview, Watson had left Greenpeace and founded his own Sea Shepherd Conservation Society. Years later, Watson and Sea Shepherd have gone on to raise money using the exact same strategies targeting the seal hunt. This manipulative profit-driven fundraising and advocacy strategy fits into the existing nonprofit industrial complex, where the growth of NGO organizational capacities is prioritized and pursued by appealing to the sentiments of the settler-colonial population and the state.
Other parts of the film illustrate how NGOs invoke nationalist and colonial discourses by shaming the government of Canada for allowing the seal hunt, and appealing to European sensibilities in lobbying the EU for the ban. These strategies rest on the Western civilizational binary logic that defines accepted Western practices as “civilized” and non-Western practices as “savage” or “barbaric”. Tracing the NGOs’ actions along this logic illuminates why the mostly-white Western animal advocacy NGOs tend to exert a disproportionate level of aggression to end culturally-specific animal exploitations and killings practiced by people of color. Meanwhile, campaigns to challenge the infinitely more destructive and violent animal exploitation industries founded, upheld and propagated by their fellow whites (e.g. industrial animal agriculture that brutally slaughters billions of animals yearly) are carried out with less intensity and far more civility.
More importantly, if we interpret the exception in the EU ban allowing Inuit seal products to continue being traded through the civilized/savage binary logic, we see how the Inuit exception could have led more Members of the European Parliament to support the overall ban. That is, the MEPs did not vote to ban seal products because they thought killing seals was immoral or unethical; instead, the MEPs banned seal products because seal hunting was associated with the “barbaric” Inuit, who the “civilized” Europeans preferred to distance themselves from. Moreover, to uphold this European self-aggrandizing fantasy, it was important to deny the Inuit their voice and presence. Therefore, in all the NGO campaigns against the seal hunt industry, the commercial seal hunt has been whitewashed, or portrayed as predominantly white. Simultaneously, Indigenous seal hunters who depend every bit as much on the commercial industry to maintain the price of seal products, were completely erased as members of the commercial seal hunt. Effectively, the Inuit exception fixes the Inuit seal hunters and their cultures and ways of life in the past. The underlying message of the Inuit exception is that while the EU allows the Inuit seal hunters to continue their way of life, they could never expect to be part of a modern industry, because there is no place for the Inuit way of life in modernity.
In emphasizing these racist NGO strategies, Angry Inuk reveals the ways in which colonizers disintegrate Indigenous sovereignty through their good intentions to “save” others. This time, however, unlike the earlier colonizers who tried to save Indigenous peoples from so-called savagery through genocide and assimilation, the white animal saviours reproduce this colonial process (regardless of their intentions) by attempting to save animals. What many white animal saviours need to confront is a problematic drive to save every individual animal in denial of ecological realities and the necessity for some Indigenous peoples to kill other species for subsistence. White animal saviours should also own up to their unethical, institutionally racist practices of NGO campaigning.
In response to the concerns of loggers and mill-workers, Northern California Earth First! organizers are renouncing the tactic of tree spiking in our area. Through the coalitions we have been building with lumber workers, we have learned that the timber corporations care no more for the lives of their employees than they do for the life of the forest. Their routine maiming and killing of mill workers is coldly calculated into the cost of doing business, just as the destruction of whole ecosystems is considered a reasonable by-product of lumber production.
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